"It looks and sounds a treat... Moon’s flavourful, gently and varyingly rhythmical score." - The Times
"The unfailingly inventive and listenable Frank Moon... what I really wanted was the CD" - Financial Times
"Enchanting score" - The Guardian
"Music from the ever-impressive Frank Moon." - British Theatre Guide
"Frank Moon is worth the price of the ticket" - The Guardian
"A haunting soundtrack" - The Observer
"A one-man orchestra conjuring up a remarkable range of musical textures" - Dancetabs
"Key to making the whole thing work is the live soundtrack by multi-instrumentalist Frank Moon, tilting between mischief and melancholy, from bewitching oud melodies to the wobbly sci-fi sounds of the theremin" - London Evening Standard
"Frank Moon’s characteristically quirky soundtrack is a joy." - The Guardian
"A masterstroke was to involve Frank Moon in pulling together the sound collage" - Dance Tabs
"A titillating original score by Frank Moon” - Broadway World
Frank's video reels can be viewed here
Frank Moon is a multi-instrumentalist and composer of many scores for dance, theatre, ballet and film and regularly collaborates with choreographers on the creation of new commissions for dance, including Arthur Pita and Morgann Runacre-Temple. His music has been created on such notable dancers as Natalia Osipova, Ivan Vasiliev, Sergei Polunin, Jonathan Goddard, Edward Watson and Wendy Whelan.
His long standing collaboration with dance-theatre choreographer Arthur Pita has produced many scores for the stage, including two orchestral ballets - The Wind (Royal Ballet) and Salome (San Francisco Ballet); live scores for The Tenant (Joyce Theater New York), The Mother (Southbank Centre, Russian tours; co-composed with Dave Price), The Metamorphosis (Royal Opera House, winner of an Olivier Award, a Sky Arts South Bank Award and a Critic's Circle National Dance Award), The Little Match Girl (Jerwood DanceEast / Sadler's Wells), The World's Greatest Show (Royal Opera House), Facada (Segerstrom Centre, CA; Stanislavsky Theatre, Moscow; London Coliseum), Run Mary Run (Sadler's Wells / world tour), Utopia (International Dance Festival Birmingham), plus sound design work on Stepmother/Stepfather (UK tour), La Bala (Brazilian tour), and Volver Volver (London Coliseum).
His work with choreographer and director Morgann Runacre-Temple includes Kingdom of Back (Northern Ballet) and several short film scores in partnership with English National Ballet: Curing Albrecht (awarded ‘Best Soundtrack” at Pentedattilo Film Festival, Italy, 2018), The Last Resort and An Evening with Taglioni, plus contributions on Scottish Ballet’s film The Secret Theatre.
Other commissions for theatre and dance include The Little Prince (Protein),
Whelan/Watson: Other Stories (arranger/MD/additional music composer - Royal Opera House / City Center New York; choreographers Javier de Frutos, Annie B Parsons, Arlene Phillips, Daniele Desnoyers, Arthur Pita), The Welcoming Party (Theatre Rites / Manchester International Festival), Philip Pullman's I Was A Rat (Birmingham Rep), The BFG (Birmingham Rep), The Merry Wives of Windsor (Shakespeare’s Globe), HAG (The Wrong Crowd; Edinburgh Festival / tour), and Barney Norris's award winning play Visitors (Up In Arms, UK tour).
In 2014 Frank was nominated for a Paul Hamlyn Foundation Composers Award.
Often performing in his own creations and independently, Frank has toured widely in the USA, Canada and Europe and has performed at venues such as the BBC Proms at the Royal Albert Hall, The Royal Opera House, City Centre New York, Joyce Theater (New York), Segerstrom Centre (California), International House of Music (Moscow), Womad Festival, Glastonbury Festival, and many other leading festivals across Europe.